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He was unattractive in every way and overlording. David Yaffe tries his best to be evenhanded here — he interviews Crosby, Klein and even Chuck Mitchell to get their comments on her comments.
Now here is Joni on how uncannily talented Joni is : I can usually interpret my own dreams easily, because I am in touch with my own symbolism. I started fads and I stopped them.
I knew the mechanics of hip. What would Nietzsche have made of the Spice Girls? Oh, plus, I might add, we get more than several tiresome pages of vaporising jazzbo muso-talk.
When this professor is interviewing with his musical gods he leaves his bullshit detector at home. It all goes down on paper uncritically.
Oh boy. But, and this is the big but, he has the goods. David Yaffe tells the whole long story of Joni from polio in Saskatoon to the brain aneurysm in Bel Air with the 19 studio albums in between all given full treatment, even the disrespected no-selling synthy 80s ones Wild Things Run Fast, Dog Eat Dog, Chalk Mark in a Rainstorm - to the point where I thought I had myself cruelly ignored these three and have now ordered them.
He fills in the strange encounter with the dying Charles Mingus, one of the most detailed sections , and all completely unknown to me.
Fascinating stuff. And why should we — even in this immodest age some things are quite rightly still private. So I think this book has a few major problems but Joni fans surely need it badly.
Just to be crystal clear if it should be in doubt : Joni Mitchell has written two of the greatest ever albums A Song to a Seagull and Blue and on top of that two further fistfuls of the greatest songs of the 20th century; plus, she had one of the most beautiful ever voices, in spite of a 4 packs a day habit, which only caught up to her in the s, and then just made her sound beautifully damaged as opposed to just beautiful.
So given all that, you might say she can be as cranky, rude and ungracious as she feels like, who cares.
View all 58 comments. Jan 29, David Schaafsma rated it really liked it Shelves: auto-bio-memoir , music , seventies.
I was just walking near Lake Michigan and saw a young woman wearing a Woodstock T-Shirt, I had just listened to this biography's focus on that period, and I stopped to tell her.
I love Joni Mitchell, always have. Of course, like I was just walking near Lake Michigan and saw a young woman wearing a Woodstock T-Shirt, I had just listened to this biography's focus on that period, and I stopped to tell her.
Yaffe is not a great writer, but he neither romanticizes her nor castigates her for her late crusty-period decades, as she is increasingly less the flower child and more the grumpy and blunt Grand Dame of Pop Music.
He takes us from Joni as folkie, as pop singer, as jazz improviser, always changing, asking so much of her fans to keep up with her. What is she best known for?
Court and Spark was her big hit. Joni is increasingly angry and bitter about the music industry, about war, racism, environmental devastation, though she is not as convincing in writing about social causes as love and relationships.
She does reunite with her adopted daughter, so that was a good thing. As I said, it's not great writing from Yaffe, but as a fan I was pretty completely absorbed throughout, and I knew some of this stuff from previous bios.
View all 26 comments. Joni Mitchell is a very important artist to me, as she is for many people. I've never really been able, however, to articulate why she means so much to me.
I think that's a universal experience though. Her music speaks to people in ways they can't explain. And in this new biography, what's so compelling about not only Joni's story but Yaffe's telling of it is that he's able to, every once in a while, put into words how Mitchell's music makes you feel.
This is a special book because you can tell t Joni Mitchell is a very important artist to me, as she is for many people. This is a special book because you can tell the author truly loves his subject.
If you're a fan of Joni as well, you'll be able to feel that love on the page and resonate with it, and that makes for a really special reading experience.
I'm also a huge nerd who loves knowing random facts and behind the scene type stuff about artists, their work, their history, etc.
It's a book I didn't want to end! And it made my appreciation for Mitchell and her oeuvre even greater, as if that was even possible.
She's brilliant! And complicated! And undeniably a genius. And Yaffe makes that clear while showing the very human sides of the artist as well.
And he does it excellently. However, I was not obligated to write a review for this book. As always, all thoughts and opinions are my own.
View 2 comments. Nov 01, Vanessa rated it really liked it. A simple prairie girl from Canada emerges when she picks up the guitar and discovers her raw untapped talent.
A true talent with soul in her heart and voice. There are vulnerabilities which you can hear in the lyrics in her music, the loss of giving her child away as a young unwed girl giving her plenty of fodder to harness her emotions into lyrical genius.
She had a habit of keeping past lovers in her life many years after the failure of the relationship even those that were painful breakups.
It was interesting to find out that Joni was not part of Woodstock, a sore point as she was appearing on the Dick Cavett show instead.
Her manager thinking that would be more advantageous, how wrong that would prove to be. I loved reading about the background stories of the albums and the inspiration that created them, and also discovering her own musical inspirations.
The book rounds out with the decline of her health, a survivor of Polio as a child she had ongoing health issues, in later stages her health made touring difficult and she secluded herself to conserve energy and then becoming more of a recluse, eventually she suffered a brain aneurysm rendering her an invalid but amongst that there are glimmers of the old Joni there.
A true pioneer woman of her generation paving many to follow in her footsteps. View all 18 comments. She is our eternal singer-songwriter of sorrows, traveling through our highs and lows.
I yearned to put on some silver and be a lady of the canyon a woman whose man sung about Our House out dancing and wreck my stockings in a jukebox dive loved so naughty it made me weak in the knees a woman who could drink a case of that holy wine and still be on my feet Yah, I also wanted to know about the men who inspired the lyrics—Leonard Cohen, David Crosby, Graham Nash, James Taylor, Jackson Brown, Beethoven—the mysterious Carey.
But it was her lifesongs I wanted to know most about and this delivered. Like her, I missed going to Woodstock but she took me there. She was my earliest feminist archetype.
I wore out almost every album because I saw myself in those lines from time to time. For her album Blue alone I would be eternally grateful but there was so much more.
No doubt some fans might read this and wish they had let her music speak for itself—or not. Depression can be the sand that makes the pearl.
Most of my best work came out of it. If you get rid of the demons and the disturbing things, then the Angels fly off, too.
There is the possibility, in that mire, of an epiphany. Her higher octaves have been filling my listening space and for that I am thankful.
The seasons do indeed go round and round and yes, Joni, I still love you. View all 17 comments. Oct 12, Tammy rated it really liked it.
This a remarkable biography of the iconic Joni Mitchell. A must read for rabid fans. View all 4 comments. Nov 07, Koeeoaddi rated it it was amazing Shelves: Since it looks like she won't be writing the autobiography I've been waiting for, this will probably be the closest we'll get.
Maybe a tad too deferential, but with so many details I've never read before about her fascinating life and the genesis of the songs that I can hardly complain.
If you're going to read a Joni book, read this one. Then be sure to play the records one by one. Over and over and over and over.
View all 8 comments. This was a very in depth and super researched book about Roberta Joan "Joni" Mitchell, documenting her life going back to the beginnings on the windswept plains of Saskatoon, Saskatchewan, Canada.
She was around during the times when many artists were getting started in NY and then out in LA in the 60's and 70's and knew and met many of those who became popular artists, when times were changing in music and in the world.
Some of that made my eyes glaze over and I could have done without. The book closely follows the progression of her musical evolution through the albums and the years as her tastes and styles changed as she meets different people along the way, and tries different styles of writing and playing and just trying to enjoy life and love.
View all 3 comments. Nov 26, Peter Tillman rated it really liked it Shelves: bios-memoirs , art , history , california , reread-list.
I've been a Joni Mitchell fan since, well, forever. So is the author, and he's done a nice job talking to his subject, her various lovers and friends, and other significant people in her life.
He writes well, and I'm learning tons of cool, interesting stuff about one of my favorite musicians. I paired the book with re-listening to all of her albums, more or less in order as Yaffe describes them.
Which adds a lot to both the book and the music, so I recommend this approach to you, too. I wish he'd I've been a Joni Mitchell fan since, well, forever.
I wish he'd done a better job with his photo section. Definitely not up to the text! Oh, well -- a bit of Google Image searching will substitute.
Sadly, the latter part of her life is pretty much "be careful what you wish for. And I might pick it up again some year, to reread parts of it.
Oct 27, Sid Nuncius rated it really liked it. I wasn't sure what to expect from Reckless Daughter. There are an awful lot of terrible showbiz biographies around, so as someone who has loved Joni Mitchell's music for nigh on half a century now I approached this with some trepidation — but it turns out to be very good.
Yaffe's style is readable and pretty straightforward and although it's a little over-written in places for my taste I never found that intruding too badly and I found the whole thing an enjoyable and fascinating read.
David Yaff I wasn't sure what to expect from Reckless Daughter. David Yaffe knows his stuff and covers the whole of Joni Mitchell's life in interesting but not excessive detail.
He has known Joni personally for a long time and has spoken to her extensively for this book. He has also spoken to a very wide variety of others who know her from childhood friends to musical collaborators and the friends of older age; what seems like a genuine picture emerges of a stunningly talented musician who, partly as a result of formative experience is tough, thoroughly individual, headstrong and self-reliant.
As a woman, this has brought her a good deal of criticism over the years, but thank heavens she is who she is because it has enabled her to create and record a body of work which is among the finest of all musical creations of the last half century, in my view.
Yaffe doesn't skate over her less personable sides; he obviously likes and admires her very much but this is never a hagiography and it seems to me to be a pretty balanced portrait which thinks seriously about how Joni's life experience may shaped her and her music, but— praise be!
Part of the genius in Joni Mitchell's lyrics is that they are so often plainly intensely personal, but they speak to me of things in my own experience, often very indirectly but with great poignancy.
Learning more about the experiences which gave rise to many of these songs is fascinating to me, and only intensifies their significance.
Many, many years after I first heard and loved Little Green, I remember her revealing that it was about being forced by circumstance to give up her beloved baby for adoption.
Even after those decades, it gave it an added poignancy which I have felt ever since. I'm not sure that there are revelations here which had quite the same impact on me, but it has certainly enriched my understanding and enjoyment of a lot of Joni's music.
The word "genius" is very over-used about artists of all kinds, but I think it may be justly applied to Joni Mitchell who is one of the very greatest of all songwriters and performers.
I think this is a biography which is worthy of its subject and I can recommend this to any Joni Mitchell fan - which, let's face it, ought to be everybody.
Nov 29, Sarah Tittle rated it liked it. As someone who scrawled Joni's first-name basis, of course lyrics across my college notebooks and in my journals, I consider myself a pretty ardent fan.
My husband can't stand the shrieking voice or the mopey lyrics but even he, as I read this book and played certain songs alongside it, had to concede that she was a force to be reckoned with.
So with this new bio and its beautiful cover photo, I set out to fall in love with her again, or at least with her story.
But I didn't. David Yaffe's por As someone who scrawled Joni's first-name basis, of course lyrics across my college notebooks and in my journals, I consider myself a pretty ardent fan.
David Yaffe's portrait of Joni starts out with a fantastic preface, in which he sets a mood of confession, friendship and poetic understanding between himself and his subject.
But we never feel that way. Joni's story is mostly told through her music and many chapter titles come from her albums. I get that--it's a great way to follow an artist.
But somewhere along the way Yaffe's prose turns workmanlike. He gets deep in the weeds when discussing her later work, starting with Hejira.
He delves deeply into Joni's jazz-influenced albums, without really letting us hear them. Instead he throws around jazz and studio jargon that went right over my head.
He gets extremely excited talking about all of the studio musicians who collaborated with Joni over the years, but then Joni herself gets kind of lost in the shuffle.
There were some great realizations for me, however. I had no idea Prince was such a Joni fan or that Chaka Khan was her good friend. And her smoking and drug habit were both way more serious than I thought.
Finally, she was kind of a bitch. I don't mind that. I think any artist has a right to be as cranky and misanthropic as they like, but I would have loved to have heard more about how this crankiness fueled her work.
I wanted to hear her talk about her poetry and her writing method. And I wanted to know WHY she leaned why she morphed into a jazz artist more than I wanted to know what kind of synthesizers and pedals she used to do it.
Besteht also ein erhöhter Bedarf für Elektronik-Tests, könnten die Chancen für Elektronikrezensenten besser stehen, aufgenommen zu werden.
Wer daraus folgert, die bestgerankten Tester würden automatisch eine Einladung in den Vine-Club erhalten, irrt sich. Von ihnen ist nicht nur keiner im Vine Club, sondern drei berichten, dass sie bereits seit zwei Jahren auf eine Einladung warten.
Einer antwortete, dass ihm die Auswahl sehr willkürlich erscheine. Gestützt wird diese Aussage durch einen erneuten Blick auf die Rangliste.
Hier finden sich noch jenseits der er-Ränge Vine-Rezensenten. Laut Amazon ist es das Ziel, vertrauenswürdige Tester als Teilnehmer zu gewinnen, damit diese Produkte bewerten.
Clubmitglieder bekommen oft schon vorab Zugang zu ausgewählten neuen Produkten. Auf diese Weise stehen schon zum Erscheinungsdatum erste Bewertungen zur Orientierung bereit.
Diese ausfindig zu machen ist schwierig. Auf der Handelsplattform herrscht keine Klarnamenpflicht, nahezu jedes Vine-Mitglied tritt nur unter einem Pseudonym und ohne Kontaktdaten auf.
Eine Kontaktaufnahme über Amazon ist nicht möglich. Eine von Ihnen ist Claudia C. Hunderte Produkte hat die Lehrerin bereits getestet und bewertet, viele davon kamen über den Vine Club zu ihr nach Hause.
Tausende Kunden markierten ihre Bewertungen — hauptsächlich zu Haushaltswaren und Büchern — als hilfreich. Von Amazon erhält Claudia eine Auswahl aus ihren angegebenen Interessengebieten.
Ich darf maximal fünf nicht-rezensierte Artikel gleichzeitig haben, bevor ich neue bestellen kann. Dann ging es nach dem Prinzip: Wer zuerst kommt, mahlt zuerst.
Die besten Artikel waren meist schon nach Sekunden vergriffen. Klaus S. Damals reichten noch wenige Rezensionen aus, um eine Einladung zu bekommen.
Klaus darf sich wie die anderen auch Produkte aussuchen. Ich sehe manchmal, was andere für Produkte bekommen, da staune ich nur.
So berichtet er, Babynahrung angeboten zu bekommen, obwohl er kinderlos ist. Mittlerweile ist seine Position in die hinteren Klaus gibt offen zu, nicht mehr so viel Mühe wie früher in die Rezensionen zu stecken.
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We want to make following regulations as easy as possible - we help our customers by both providing information and service. The second chapter focuses on manuscript encyclopedic.
It argues that those who produced such sweeping works — ranging from naturalist William Turner to Cambridge scholar John Ramsey or poet Henry Oxinden — aimed at approximating a so-called omnigatherum , a collection of all useful knowledge.
These enterprises, piecemeal they may have remained, linked sixteenth-century commonplacing to seventeenth- and eighteenth-century systematic histories of knowledge.
Chapter 3 further advances this combination of conceptual and material interests. It studies William Camden and comparable chorographic and antiquarian collectors.
As did their intellectual model of a tailor sitting on a cushion of motley rags, these information-hungry figures combined snippets of texts and objects , quite literally stitching and sewing them together.
The fourth chapter seeks to place merchant miscellanies within this intellectual tradition. Its central aim is to further dissolve an already waning separation of scholarly and mercantile textuality.
It shows how the Italian zibaldone and double-entry bookkeeping came to practically influence English collections outside merchant circles.
Sprawling texts could be reformed by entering them into the neat schemes of book-keeping. Chapter 5 further advances this focus on re transcription.
Plat drew on a vast set of material that was ordered, serialised, and harmonised. The crucial feature of his ordering system lay in progressive reworkings that, over time, transformed eclectic collections into more topically rigid ones arranged by subject.
They allowed Plat to improve on his own notes. Extensive note-making spanned all fields of Baconian intellectual work.
Conceptual thought, the author seeks to show, was intimately connected to and grounded in traceable material practice drawing on the sprawling British tradition of miscellaneous order.
He pulls together a variety of strands from intellectual history to history of science and manuscript studies.
His accomplishment forces historians of all walks to take material textuality even more seriously. A rich context that — as he explains perhaps a little too neatly — sprang from an added need for commonplacing and gathering material in areas where less access to up-to-date publications existed.
His other highly suggestive nod to the longevity of the miscellany is also not developed enough. Taken together, they render the last chapter perhaps the least satisfying in an otherwise exciting work.
It brings us back to those odd volumes that we found stored together with materials immediately useful to our research interest.
Scraps that could only become constitutive to the fabric of learning once they had been diligently transcribed and, thus, worked through. Instead, some might seek to understand what these texts tell us about the rich and diverse figures that once produced them.
A Reappraisal, in: Journal of the History of Ideas 45 , pp. Relativism in the French Renaissance, Baltimore , Ch.